WEBVTT

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KAYLA BROWN: This presentation
today, this panel,

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is a part of a
project called AIICE,

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the Alliance for Identity and
Inclusive Computing Education.

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And so I just wanted to
give a little background

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so everyone knew.

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AIICE focuses on creating more
equitable computing spaces,

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which encourages technology
creators from a diverse range

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of identities to occupy
development and leadership

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positions in order to
avoid creating potentially

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discriminatory technologies.

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This is only possible
with an investment

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from the entire community.

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And so this is an event for us
all to come together and talk

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about disability and computing.

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We have an amazing panel today.

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And I just wanted to
say that all have access

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to this PowerPoint.

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I will put the link
again in the chat.

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So if you're interested,
there's more about each panelist

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that you can look up.

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And there are also
some resources.

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So I just wanted you
all to be aware of that

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And with that being said,
we are going to get started.

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So each of our panelists come
from a different background.

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There's a lot of different
sets of experiences

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that I am excited for them
to share with you all.

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So while you may be
from different areas,

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I think it will all complement
what we're trying to do here.

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So I'm going to call
on each panelist

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to first introduce themselves.

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So if you could
tell us your name,

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your pronouns, if you'd
like, and where you're from,

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what you do--

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anything that you
would want everyone

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to know as a quick introduction.

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So I'm going to start
I've got a list here.

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And if you're not
ready, you can always--

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I can always come back to you.

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But I'm going to start.

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Brianna, would you like
to introduce yourself?

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BRIANNA WIMER: Yeah, of course.

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I can start us off.

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And so with this
introduction, am

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I also giving an
overview of my research

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or just introduction to myself?

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KAYLA BROWN: You can
give a quick overview

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of your background and--

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yeah, what you're doing.

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BRIANNA WIMER: OK, perfect.

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OK.

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Well, hi, everyone.

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My name is Brianna Wimer.

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I'm currently a
third-year PhD student

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in computer science at the
University of Notre Dame.

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I grew up about 40 minutes
North of Chicago, Illinois,

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and I received my bachelor's
degree in computer science

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from the University
of Alabama in 2021.

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And so my research
really focuses

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on the intersection of
accessibility and information

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visualization.

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So right now, I'm really
working on how can we

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create accessible
representations

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of text-heavy diagrams
that are heavily

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reliant on visual aesthetics.

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And these diagrams
can include things

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like flow charts, or Gantt
charts, and timelines,

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treemaps, mind maps, which are
super prevalent in business,

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STEM, and health disciplines.

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And so my overall goals
are just to provide

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people with disabilities
better access

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to derive insights from these
diagrams for effective decision

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making, but also provide them
with the accessible tools

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to create such
diagrams ourselves.

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And then so that's me.

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KAYLA BROWN: Thank you.

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William?

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WILLIE PAYNE: Hi, everyone.

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I'm Willie.

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I use he/him pronouns.

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I am currently an
Assistant Professor

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in the School of Information and
Library Science at UNC Chapel

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Hill.

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I teach our UX courses,
and I'm teaching

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an accessibility course for
the first time this semester.

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I have roots in both
arts and computing,

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and that influences a lot
of the research that I do.

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And my undergrad at the
University of Colorado,

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I was a double major in computer
science and music composition

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and basically just got lucky in
that, near the end of my time

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there, they hired this amazing
accessibility researcher

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named Shaun Kane, who some
folks might have heard of.

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So I stuck around and
got to study with him.

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And then I did a PhD at
NYU in music technology,

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where I worked on a dissertation
co-designing music software

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with a community
music school that

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teaches blind and
visually impaired

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learners of all skill
levels and ages.

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And that work is
still continuing on

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in different forms.

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And I'm happy to
share more about it.

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I'm stoked to be in
the room, by the way.

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I worked with Lauren at
the Ability Project at NYU,

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and I met Brianna more
than a year ago in Greece.

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So this is very cool.

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[LAUGHING]

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KAYLA BROWN: Thank you.

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I know, a small world.

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All right.

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Lauren?

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LAUREN RACE: Yeah, thanks.

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Great to see you, Willie.

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Yeah, Lauren Race--
hi-- she/her.

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So my research is generally
at the intersection

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of accessibility and design.

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I've been at the Ability
Project for the last five years.

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Willie had mentioned
the Ability Project.

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It's a research space
dedicated to the intersection

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of technology and disability.

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So there.

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I teach a class that I developed
called Multi-Sensory Design.

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I also work in industry.

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So I'm currently a Senior
Principal Accessibility

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Designer at Oracle.

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And then before that--

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I'm on the Inclusive
Design team, actually.

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And then before that, I was a
staff accessibility designer

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on the Twitter A11Y team.

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So really excited to be here.

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KAYLA BROWN: Thank you.

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Eva?

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EVA PEET: Hi, I'm
Eva, pronouns she/her.

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I work at the Institute
for Human-Centered Design

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as an inclusive
design researcher.

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We do all kinds of--
different kinds of work,

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like accessibility
reviews of websites,

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but also spaces
buildings, and user expert

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reviews with people with lived
experiences of disabilities.

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But also some participatory
action research, which is also

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really an interest of mine.

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Like, how can we bring people
into our design process

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and really design
together with them?

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And it's also
something I'm currently

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writing a paper on that kind
of developed from my master's

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thesis, which was about
inclusive participatory design

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approaches that are really
about including someone

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into your full design process,
and not just doing some

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small sessions.

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So yeah, that's me.

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So nice to meet you all.

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KAYLA BROWN: Thank you.

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Mia?

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MIA HOFFMAN: Hi.

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I'm Mia Hoffman,
she/her pronouns.

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I'm a third-year
PhD student here

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at the University of Washington.

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And I bridge the gap between
mechanical engineering

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and rehabilitation medicine.

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But today, I'm here
representing HuskyAdapt

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which is a student
organization here

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at the University of Washington
that works on accessible

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design in play technology.

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So we provide adaptive toys
to the local community,

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and do everything to ranging--

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to creating user-centered
design projects in conjunction

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with experts in the local area.

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And then my research focuses
on accessible play technology

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for kids five and under.

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So whether that be using things
like powered wheelchairs--

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an Explorer Mini--

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to co-designing an
accessible switch kit

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with families in the local area.

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KAYLA BROWN: Thank you.

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Heather?

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HEATHER FELDNER:
Hello, everyone.

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My name is Heather Feldner.

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I use she/her pronouns, and I
am an Assistant Professor here

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at the University of Washington
in Rehabilitation Medicine.

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I'm also on the core faculty of
the Disability Studies program

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here and one of the associate
directors of an Accessibility

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Center on campus called CREATE,
which is an acronym for Center

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for Research and Education
on Accessible Technology

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and Experiences.

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And I get to work
with Mia every day.

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I co-advise her.

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So I also get to
work with HuskyADAPT

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as a faculty advisor.

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My research interests
really blend.

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I have a background
in rehabilitation

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and physical therapy, and my
PhD was in disability studies.

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And so, really look at the
intersection of mobility,

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and disability, and technology.

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And thinking about, from
a healthcare perspective,

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not only how can we design
accessible and inclusive

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spaces, but also technologies to
navigate multiple environments.

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And then also,
concurrently, how do we

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look at the structures
within healthcare

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in terms of reducing
ableism and ableist

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practices within healthcare
and growing our ability

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to be allies and accomplices
in healthcare spaces?

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So kind of bringing a little
bit of a different perspective

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to inclusive design.

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But that's the framing for me.

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And I get to hang
out with engineers

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and computer scientists a
whole lot, and I love it.

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KAYLA BROWN: Thank you all.

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I think everyone has gotten a
chance to introduce themselves.

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If I missed someone,
I'm so sorry.

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But-- I--

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So, as you've heard from
these introductions,

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there's a lot of different
expertise and experiences

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that people have.

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And so take note
as they're talking.

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Because at the end,
my goal is to have

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a few minutes for some Q &amp; A.

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But I am first going to have
us go around again and talk

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a little bit more in
depth about what you do.

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And so I'm going to
circle back to Brianna.

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You had mentioned that you're
doing some amazing research.

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And I'd love to
hear more about that

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and why you chose to do it.

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Why is it important to you?

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BRIANNA WIMER: Yeah, of course.

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That's actually--
oh, I love telling

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my little passionate into--
going into accessible

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research story.

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I ended up starting doing
research at Alabama freshman

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year of college.

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And I was just like, oh.

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Oh, this is cool.

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This isn't the standard
way to do things.

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And then from that
moment, I always

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knew that I wanted to work
in accessibility because--

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So I have ADHD.

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And then recently, in
my PhD, I was diagnosed

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with bipolar disorder.

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So I definitely have
that internal passion

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of understanding
going through school

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and having professors
and teachers

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not necessarily know how
to cater towards you.

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And when they just see
the outskirts of like,

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oh, this student doesn't show
up, versus, oh, this student

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is going through something,
and it's easier for them

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to be home.

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And so that's where my
passion kind of lays

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into the accessibility world.

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And when I decided
to go into my PhD,

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my advisor at Notre
Dame, which is Dr. Ron

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Metoyer, his
research at the time

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was in information
visualization.

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And he knew I wanted
to do accessibility,

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and he was so OK with me
doing accessibility, too,

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on the side.

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And when I first did-- at
first, my paper with him.

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And it was based off of vis
principles and everything.

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I kind of just fell in
love with the world of vis

00:11:56.450 --> 00:12:01.190 align:center
with the 1980s typical papers
of how the-- everything was

00:12:01.190 --> 00:12:03.140 align:center
built off cognitive psychology.

00:12:03.140 --> 00:12:05.030 align:center
And I was like,
oh, this is cool.

00:12:05.030 --> 00:12:06.890 align:center
However, though,
we don't see things

00:12:06.890 --> 00:12:09.770 align:center
as accessible
representations of data.

00:12:09.770 --> 00:12:12.650 align:center
Instead we just see
them as visualizations.

00:12:12.650 --> 00:12:16.370 align:center
And we just neglect the idea
that they were created only

00:12:16.370 --> 00:12:18.590 align:center
for people to derive
insights from,

00:12:18.590 --> 00:12:22.650 align:center
not just to make a
visually-pleasing picture

00:12:22.650 --> 00:12:23.900 align:center
or a visualization.

00:12:23.900 --> 00:12:26.900 align:center
And so that's-- when I kind of
found that idea of being able

00:12:26.900 --> 00:12:31.010 align:center
to combine the accessibility and
the coolness of the information

00:12:31.010 --> 00:12:32.660 align:center
visualization, I
was like, oh, yeah.

00:12:32.660 --> 00:12:34.100 align:center
This is what I want to do.

00:12:34.100 --> 00:12:36.140 align:center
And then kind of
where I'm at now

00:12:36.140 --> 00:12:38.780 align:center
is working with these
text-heavy diagrams

00:12:38.780 --> 00:12:41.930 align:center
because a lot of the
accessible vis space right

00:12:41.930 --> 00:12:45.050 align:center
now is essentially
looking at very much so

00:12:45.050 --> 00:12:48.080 align:center
your typical traditional
visualizations like scatter

00:12:48.080 --> 00:12:50.930 align:center
plots, or line
charts, bar charts.

00:12:50.930 --> 00:12:52.370 align:center
How can we make
those accessible?

00:12:52.370 --> 00:12:55.310 align:center
And, again, those are
very prominent things,

00:12:55.310 --> 00:12:56.570 align:center
and they're used very often.

00:12:56.570 --> 00:12:59.120 align:center
However, though, there's
just more out there

00:12:59.120 --> 00:13:02.360 align:center
in the accessible visualization
domain, including diagrams

00:13:02.360 --> 00:13:04.190 align:center
and text-heavy
diagrams, or things

00:13:04.190 --> 00:13:06.650 align:center
that are just very reliant
on visual aesthetics.

00:13:06.650 --> 00:13:08.750 align:center
And so I'm working on
how can we create--

00:13:08.750 --> 00:13:12.140 align:center
not just providing an
alternative description

00:13:12.140 --> 00:13:14.111 align:center
for people with--

00:13:14.111 --> 00:13:16.790 align:center
who are blind or have low
vision, but also how can

00:13:16.790 --> 00:13:19.723 align:center
we just make an accessible
representation of this data.

00:13:19.723 --> 00:13:21.140 align:center
So that somebody
with a disability

00:13:21.140 --> 00:13:23.630 align:center
can go through and
derive the same insights

00:13:23.630 --> 00:13:25.460 align:center
that somebody who
is non-disabled

00:13:25.460 --> 00:13:27.320 align:center
may be able to have
just from looking

00:13:27.320 --> 00:13:29.060 align:center
at the visual
aesthetics of a flow.

00:13:29.060 --> 00:13:32.000 align:center
And understanding also
that it's not just

00:13:32.000 --> 00:13:34.280 align:center
catering towards the
vision impairments, too,

00:13:34.280 --> 00:13:37.370 align:center
but how can you just
make this representation

00:13:37.370 --> 00:13:38.670 align:center
accessible for everybody.

00:13:38.670 --> 00:13:45.260 align:center
And understanding how
inaccessible representation

00:13:45.260 --> 00:13:47.930 align:center
affects different people
with disabilities.

00:13:51.770 --> 00:13:53.020 align:center
KAYLA BROWN: That's fantastic.

00:13:53.020 --> 00:13:59.110 align:center
And I did want to just plug for
you that you were a 2023 Google

00:13:59.110 --> 00:13:59.890 align:center
PhD fellow.

00:13:59.890 --> 00:14:03.700 align:center
And so, yeah, you've done
some really amazing things.

00:14:03.700 --> 00:14:07.130 align:center
And hopefully we have some
time to talk more about that.

00:14:07.130 --> 00:14:07.630 align:center
So--

00:14:07.630 --> 00:14:09.070 align:center
BRIANNA WIMER: Thank you.

00:14:09.070 --> 00:14:12.250 align:center
KAYLA BROWN:
That's-- [LAUGHS] OK.

00:14:12.250 --> 00:14:15.280 align:center
So next, I wanted
to talk to Willie.

00:14:15.280 --> 00:14:21.680 align:center
You-- obviously, many of you on
the panel do a lot of things.

00:14:21.680 --> 00:14:24.310 align:center
So I am picking and
choosing, but feel free

00:14:24.310 --> 00:14:26.590 align:center
to share any part of your
experience that you want.

00:14:26.590 --> 00:14:30.050 align:center
But I was looking
through your work.

00:14:30.050 --> 00:14:32.500 align:center
And I know that you
do a lot about--

00:14:32.500 --> 00:14:36.730 align:center
a lot of work with
participatory design.

00:14:36.730 --> 00:14:40.400 align:center
And I'd love to hear a little
bit about your work as a whole

00:14:40.400 --> 00:14:43.540 align:center
and what you do, and
maybe your thoughts on how

00:14:43.540 --> 00:14:49.370 align:center
to advocate for participatory
design for other folks.

00:14:49.370 --> 00:14:52.100 align:center
WILLIE PAYNE: Yeah, absolutely.

00:14:52.100 --> 00:14:56.000 align:center
So, to start with the
first question, as a whole,

00:14:56.000 --> 00:14:57.470 align:center
I would say all
of the work that I

00:14:57.470 --> 00:15:01.520 align:center
do lies at this
kind of intersection

00:15:01.520 --> 00:15:04.580 align:center
between informal learning.

00:15:04.580 --> 00:15:09.770 align:center
So mostly teenagers,
but teens and adults

00:15:09.770 --> 00:15:13.790 align:center
choosing to find
learning opportunities

00:15:13.790 --> 00:15:15.330 align:center
in informal environments.

00:15:15.330 --> 00:15:18.230 align:center
So, like, outside of
schools or universities.

00:15:18.230 --> 00:15:22.670 align:center
Creativity-- so environments
where people are making things

00:15:22.670 --> 00:15:24.770 align:center
that they're excited about.

00:15:24.770 --> 00:15:28.580 align:center
And then, of course,
accessibility and inclusion.

00:15:28.580 --> 00:15:34.280 align:center
And participatory design
across all of my work

00:15:34.280 --> 00:15:37.640 align:center
is the kind of main engine.

00:15:37.640 --> 00:15:41.510 align:center
And as I start beginning
to mentor students--

00:15:41.510 --> 00:15:43.790 align:center
I'm a brand new professor--

00:15:43.790 --> 00:15:48.900 align:center
I think that I'm going to try to
encourage my students to follow

00:15:48.900 --> 00:15:51.430 align:center
a sort of similar pattern.

00:15:51.430 --> 00:15:55.590 align:center
So to give an example of that,
when, for a variety of reasons,

00:15:55.590 --> 00:16:01.080 align:center
I was especially interested in
non-visual music interactions

00:16:01.080 --> 00:16:04.680 align:center
and working with blind
and low-vision musicians,

00:16:04.680 --> 00:16:08.310 align:center
the first thing that
I was encouraged

00:16:08.310 --> 00:16:12.720 align:center
to do by my PhD advisor,
Professor Amy Hurst,

00:16:12.720 --> 00:16:16.770 align:center
was not to go and
start making something,

00:16:16.770 --> 00:16:21.790 align:center
but to really go and find
a relevant population.

00:16:21.790 --> 00:16:24.870 align:center
So instead of starting with
the design and engineering,

00:16:24.870 --> 00:16:28.020 align:center
figuring out who are
my collaborators,

00:16:28.020 --> 00:16:30.090 align:center
who are my participants.

00:16:30.090 --> 00:16:34.590 align:center
And then, from
that point on, not

00:16:34.590 --> 00:16:39.720 align:center
approach them as, like, I am
fancy expert with design skill.

00:16:39.720 --> 00:16:43.320 align:center
But instead come at it
from a place of humility

00:16:43.320 --> 00:16:44.980 align:center
and wanting to learn.

00:16:44.980 --> 00:16:48.000 align:center
And so I was really
lucky as a PhD student

00:16:48.000 --> 00:16:51.770 align:center
that Professor Hurst sort
of gave me permission

00:16:51.770 --> 00:16:55.340 align:center
go and find people that
I wanted to work with

00:16:55.340 --> 00:16:58.070 align:center
and not even worry
about research outcomes

00:16:58.070 --> 00:17:02.610 align:center
or publications for a long
time, but just go and volunteer.

00:17:02.610 --> 00:17:07.609 align:center
And so for a major
part of my PhD,

00:17:07.609 --> 00:17:09.230 align:center
I went to this music school.

00:17:09.230 --> 00:17:12.530 align:center
It's called the Filomen M.
D'Agostino Greenberg School,

00:17:12.530 --> 00:17:16.040 align:center
or FMDG School, in Manhattan.

00:17:16.040 --> 00:17:20.180 align:center
And I basically just said,
hey, can I learn from you?

00:17:20.180 --> 00:17:21.200 align:center
Can I volunteer?

00:17:21.200 --> 00:17:22.069 align:center
What can I do?

00:17:22.069 --> 00:17:24.500 align:center
These are the
skills that I have--

00:17:24.500 --> 00:17:27.170 align:center
because I have this
music background

00:17:27.170 --> 00:17:28.970 align:center
and I knew how to notate music.

00:17:28.970 --> 00:17:31.640 align:center
It turned out that they
had a really big need

00:17:31.640 --> 00:17:33.710 align:center
for just transcription work.

00:17:33.710 --> 00:17:37.880 align:center
So for people to copy
musical scores into software,

00:17:37.880 --> 00:17:41.190 align:center
and then convert it
into Braille music.

00:17:41.190 --> 00:17:44.750 align:center
And so in starting to do that,
I could work on that remotely.

00:17:44.750 --> 00:17:46.280 align:center
And then from
there, I could start

00:17:46.280 --> 00:17:49.190 align:center
going in-person, and
helping out at concerts,

00:17:49.190 --> 00:17:51.260 align:center
and carrying equipment.

00:17:51.260 --> 00:17:53.390 align:center
And the great thing
about all of that--

00:17:53.390 --> 00:17:57.200 align:center
and everybody in the room,
I think, will echo this--

00:17:57.200 --> 00:17:59.600 align:center
is that, A, I got to
build a lot of trust.

00:17:59.600 --> 00:18:01.760 align:center
I got to know the
students, and the teachers,

00:18:01.760 --> 00:18:03.740 align:center
and their family members.

00:18:03.740 --> 00:18:06.470 align:center
But, B, I got a
really good sense

00:18:06.470 --> 00:18:10.760 align:center
of what the actual
challenges, and needs,

00:18:10.760 --> 00:18:13.190 align:center
and creative ideas were.

00:18:13.190 --> 00:18:16.260 align:center
So it wasn't me as an
outsider making things up.

00:18:16.260 --> 00:18:18.900 align:center
It was really kind
of organic and rooted

00:18:18.900 --> 00:18:22.240 align:center
in what was going on.

00:18:22.240 --> 00:18:25.450 align:center
So I'll sort of stop after that.

00:18:25.450 --> 00:18:27.510 align:center
But a lot of that
early work with them

00:18:27.510 --> 00:18:31.240 align:center
was really in that space
around music notation.

00:18:31.240 --> 00:18:34.200 align:center
So music notation tends
to be super visual.

00:18:34.200 --> 00:18:37.950 align:center
PDFs of music are just like
completely inaccessible,

00:18:37.950 --> 00:18:42.370 align:center
and yet that's what publishers
sell and what's out there.

00:18:42.370 --> 00:18:45.330 align:center
So I did a lot of
co-design work with folks

00:18:45.330 --> 00:18:49.590 align:center
at the school on accessible
notation practices.

00:18:49.590 --> 00:18:52.140 align:center
And I would never have
come up with that on my own

00:18:52.140 --> 00:18:54.870 align:center
without all of that
work leading to it.

00:18:58.302 --> 00:18:59.260 align:center
KAYLA BROWN: Thank you.

00:18:59.260 --> 00:19:02.070 align:center
That's such a good
example of collaboration

00:19:02.070 --> 00:19:05.320 align:center
and, really, learning as you go.

00:19:05.320 --> 00:19:08.380 align:center
And so I appreciate
you sharing that.

00:19:08.380 --> 00:19:10.230 align:center
Thank you.

00:19:10.230 --> 00:19:17.560 align:center
Lauren, I know that you are both
in academia and in industry.

00:19:17.560 --> 00:19:21.460 align:center
So you come with many
different perspectives.

00:19:21.460 --> 00:19:26.370 align:center
So I'd love for you to elaborate
a little bit about what you do.

00:19:26.370 --> 00:19:29.730 align:center
And I'm also interested
in your perspective

00:19:29.730 --> 00:19:33.030 align:center
on multi-sensory and
tactile co-design

00:19:33.030 --> 00:19:35.340 align:center
that you've worked on.

00:19:35.340 --> 00:19:38.350 align:center
So, yeah, feel free to share
about, overall, what you do.

00:19:38.350 --> 00:19:42.060 align:center
And if you want to share
about your co-design methods,

00:19:42.060 --> 00:19:43.690 align:center
I would love to hear it.

00:19:43.690 --> 00:19:45.570 align:center
And I think everyone
else would, too.

00:19:45.570 --> 00:19:46.320 align:center
LAUREN RACE: Sure.

00:19:46.320 --> 00:19:47.230 align:center
Thank you so much.

00:19:47.230 --> 00:19:51.000 align:center
I think they kind of overlap
somehow, oddly enough.

00:19:51.000 --> 00:19:54.030 align:center
So I have a kind of crooked
path to where I am now.

00:19:54.030 --> 00:19:57.130 align:center
I'm not a traditional academic
researcher by any means.

00:19:57.130 --> 00:20:00.400 align:center
I actually went to art school
at Pratt in Brooklyn when--

00:20:00.400 --> 00:20:04.630 align:center
years ago-- and had a career
for 10 years as an art director

00:20:04.630 --> 00:20:05.410 align:center
here in Manhattan.

00:20:05.410 --> 00:20:08.620 align:center
I worked at ad agencies,
digital agencies.

00:20:08.620 --> 00:20:11.760 align:center
And at 10 years in, I
was like, you know what?

00:20:11.760 --> 00:20:13.900 align:center
I'm ready for a change.

00:20:13.900 --> 00:20:16.390 align:center
This is focused more on
what people will buy.

00:20:16.390 --> 00:20:17.980 align:center
I really want to
focus on what folks

00:20:17.980 --> 00:20:21.250 align:center
are going to use and get to
the problem-solution approach

00:20:21.250 --> 00:20:22.460 align:center
of my work.

00:20:22.460 --> 00:20:25.960 align:center
So I came with this visual
design background and I--

00:20:25.960 --> 00:20:28.570 align:center
to pivot in my career,
I went to the only place

00:20:28.570 --> 00:20:31.330 align:center
I wanted to go to,
which was ITP at NYU.

00:20:31.330 --> 00:20:32.890 align:center
It was the only
school I applied to.

00:20:32.890 --> 00:20:34.307 align:center
I was like, if I
don't get in, I'm

00:20:34.307 --> 00:20:36.430 align:center
just going to keep
working in advertising.

00:20:36.430 --> 00:20:38.300 align:center
Thank goodness I got in.

00:20:38.300 --> 00:20:42.700 align:center
And my first semester, one
of my teachers, Tom Igoe,

00:20:42.700 --> 00:20:44.800 align:center
who teaches the physical
computing course,

00:20:44.800 --> 00:20:49.330 align:center
was like, hey, we need to start
making our materials to teach

00:20:49.330 --> 00:20:51.260 align:center
my class more accessible.

00:20:51.260 --> 00:20:53.860 align:center
We have a student who has
requested tactile graphics.

00:20:53.860 --> 00:20:55.690 align:center
You have a visual
design background.

00:20:55.690 --> 00:20:57.580 align:center
Hey, why don't you
use Illustrator?

00:20:57.580 --> 00:20:59.050 align:center
And here's a fusor.

00:20:59.050 --> 00:21:00.520 align:center
This is the special paper.

00:21:00.520 --> 00:21:01.780 align:center
Why don't you try this out?

00:21:01.780 --> 00:21:06.190 align:center
And I printed out a
lot of the SVG files

00:21:06.190 --> 00:21:09.280 align:center
that we had of schematics that
we used to teach the courses.

00:21:09.280 --> 00:21:11.155 align:center
And I was like, oh, I'll
just print them out,

00:21:11.155 --> 00:21:12.280 align:center
put them through the fusor.

00:21:12.280 --> 00:21:13.720 align:center
They're going to
puff up, and it's

00:21:13.720 --> 00:21:15.303 align:center
going to be a perfect
tactile graphic.

00:21:15.303 --> 00:21:18.910 align:center
And, long story short,
that did not work at all--

00:21:18.910 --> 00:21:21.670 align:center
for many reasons, if folks are
familiar with tactile graphics,

00:21:21.670 --> 00:21:23.530 align:center
like there is no
Braille labeling.

00:21:23.530 --> 00:21:25.180 align:center
All the things are
too close together.

00:21:25.180 --> 00:21:26.390 align:center
It's way too small.

00:21:26.390 --> 00:21:29.320 align:center
And so for me, I was
like, oh, I am very

00:21:29.320 --> 00:21:30.790 align:center
underdeveloped as a designer.

00:21:30.790 --> 00:21:34.570 align:center
There are all these other
senses that these visual design

00:21:34.570 --> 00:21:35.560 align:center
schools do not cover.

00:21:35.560 --> 00:21:37.893 align:center
In fact, they're quite ableist
in their approach, right?

00:21:37.893 --> 00:21:39.880 align:center
They're only focusing
on one sensory modality.

00:21:39.880 --> 00:21:41.560 align:center
So I was like, whoa.

00:21:41.560 --> 00:21:43.300 align:center
Like, a whole new
world of design.

00:21:43.300 --> 00:21:45.010 align:center
This is amazing.

00:21:45.010 --> 00:21:48.880 align:center
And kismet, of course, at
the same time Amy Hearst

00:21:48.880 --> 00:21:51.010 align:center
was coming into NYU.

00:21:51.010 --> 00:21:53.230 align:center
I had this terrible
idea for my thesis.

00:21:53.230 --> 00:21:54.460 align:center
And she's like, no, no, no.

00:21:54.460 --> 00:21:56.050 align:center
You're doing the
tactile graphics.

00:21:56.050 --> 00:21:57.970 align:center
And I was like, I trust you.

00:21:57.970 --> 00:21:59.170 align:center
And she was right.

00:21:59.170 --> 00:22:02.380 align:center
So lesson learned,
always listen to Amy.

00:22:02.380 --> 00:22:05.200 align:center
But I ended up doing my thesis
called "Tactile Schematics."

00:22:05.200 --> 00:22:08.140 align:center
I worked with Chancey Fleet
at the Andrew Heiskell Braille

00:22:08.140 --> 00:22:10.390 align:center
and Talking Book Library,
where I've been volunteering

00:22:10.390 --> 00:22:11.540 align:center
for the last five years.

00:22:11.540 --> 00:22:14.000 align:center
So I know Willie touched
on the idea of community.

00:22:14.000 --> 00:22:16.000 align:center
And I feel like a lot of
the work that comes out

00:22:16.000 --> 00:22:17.625 align:center
of the Ability Project
is really rooted

00:22:17.625 --> 00:22:20.320 align:center
in boots on the ground,
community engagement,

00:22:20.320 --> 00:22:22.570 align:center
partnership, co-design.

00:22:22.570 --> 00:22:25.150 align:center
And I learned everything
through working with her,

00:22:25.150 --> 00:22:26.410 align:center
working with Amy.

00:22:26.410 --> 00:22:29.770 align:center
And then when I ended a
fellowship, I was like,

00:22:29.770 --> 00:22:31.450 align:center
oh my gosh, I need
to find a job.

00:22:31.450 --> 00:22:32.260 align:center
[LAUGHING]

00:22:32.260 --> 00:22:34.390 align:center
Because I was like,
I don't know if I

00:22:34.390 --> 00:22:36.490 align:center
can find anyone that
will pay me to make

00:22:36.490 --> 00:22:37.910 align:center
tactile graphics for them.

00:22:37.910 --> 00:22:41.740 align:center
So that's when I started down
this like digital A11Y path.

00:22:41.740 --> 00:22:43.800 align:center
So I kind of call
it my side hustle.

00:22:43.800 --> 00:22:44.830 align:center
I love it.

00:22:44.830 --> 00:22:47.150 align:center
I'm learning new
things every day.

00:22:47.150 --> 00:22:50.380 align:center
I started out at Twitter when
they had an accessibility team.

00:22:50.380 --> 00:22:52.570 align:center
That was very fun for two years.

00:22:52.570 --> 00:22:53.830 align:center
I learned so much.

00:22:53.830 --> 00:22:56.050 align:center
They were really a
lovely group of folks.

00:22:56.050 --> 00:22:59.230 align:center
We had great disability
representation on the team.

00:22:59.230 --> 00:23:02.110 align:center
And now I'm at Oracle,
and I'm learning

00:23:02.110 --> 00:23:04.210 align:center
a lot about technical
conformance,

00:23:04.210 --> 00:23:06.530 align:center
and audits, and all great stuff.

00:23:06.530 --> 00:23:11.180 align:center
And so, yeah, it kind of all
layers on top of each other.

00:23:11.180 --> 00:23:13.457 align:center
And now I stuck around
at the Ability Project,

00:23:13.457 --> 00:23:15.790 align:center
and I teach this class called
Multi-Sensory Design, kind

00:23:15.790 --> 00:23:18.500 align:center
of coming out of this
experience I had with my thesis,

00:23:18.500 --> 00:23:21.770 align:center
which is, whoa, we live
in this very visual world.

00:23:21.770 --> 00:23:23.740 align:center
And there's this
whole part of design

00:23:23.740 --> 00:23:25.040 align:center
that is so underdeveloped.

00:23:25.040 --> 00:23:28.485 align:center
So I like to keep my feet
in both parties, academia

00:23:28.485 --> 00:23:30.985 align:center
and industry, because I think
they really inform each other.

00:23:34.790 --> 00:23:36.440 align:center
KAYLA BROWN: Thank you so much.

00:23:36.440 --> 00:23:40.070 align:center
And Chancey was going
to be on the panel--

00:23:40.070 --> 00:23:41.030 align:center
sends her regards.

00:23:41.030 --> 00:23:44.810 align:center
But I'm going to put her
information in the PowerPoint

00:23:44.810 --> 00:23:46.550 align:center
so you can all learn
a little bit more

00:23:46.550 --> 00:23:50.150 align:center
about the assistive
tech work that she does.

00:23:50.150 --> 00:23:51.180 align:center
Great.

00:23:51.180 --> 00:23:57.830 align:center
Eva, you have done some amazing
inclusive design research.

00:23:57.830 --> 00:24:02.210 align:center
And I, again, am really
interested in this idea

00:24:02.210 --> 00:24:04.952 align:center
of inclusive and
participatory design.

00:24:04.952 --> 00:24:06.410 align:center
And so I was
wondering if you could

00:24:06.410 --> 00:24:08.660 align:center
touch a little bit on that?

00:24:08.660 --> 00:24:12.530 align:center
Because, as we know,
sometimes design spaces--

00:24:12.530 --> 00:24:17.690 align:center
they make assumptions about what
their users or the end result

00:24:17.690 --> 00:24:18.360 align:center
might want.

00:24:18.360 --> 00:24:22.430 align:center
So if you could talk a
little bit about what you do,

00:24:22.430 --> 00:24:26.418 align:center
and maybe touch on some
participatory design takeaways

00:24:26.418 --> 00:24:28.460 align:center
you'd want for the audience,
that would be great.

00:24:30.885 --> 00:24:31.760 align:center
EVA PEET: Sure, sure.

00:24:31.760 --> 00:24:33.120 align:center
Thank you so much.

00:24:33.120 --> 00:24:36.860 align:center
Yeah, it was so interesting to
hear all of this to start off.

00:24:36.860 --> 00:24:39.410 align:center
I also liked Whitney's insight
on participatory design--

00:24:39.410 --> 00:24:41.480 align:center
some things I
definitely recognize

00:24:41.480 --> 00:24:44.390 align:center
from what I've experienced.

00:24:44.390 --> 00:24:47.327 align:center
I mean, I just feel
like designers are not

00:24:47.327 --> 00:24:49.910 align:center
as aware as they should be about
the role that they're playing

00:24:49.910 --> 00:24:54.230 align:center
in creating our world and
making it more or less just,

00:24:54.230 --> 00:24:57.710 align:center
or accessible, or
democratic even.

00:24:57.710 --> 00:25:00.230 align:center
And I'm really
fascinated by the idea

00:25:00.230 --> 00:25:02.660 align:center
of making design
more democratic,

00:25:02.660 --> 00:25:05.970 align:center
in a way, because I feel like
we value democracy so much,

00:25:05.970 --> 00:25:06.470 align:center
of course.

00:25:06.470 --> 00:25:09.830 align:center
But in the things we create,
often people don't really

00:25:09.830 --> 00:25:11.930 align:center
have a say in that
while they should,

00:25:11.930 --> 00:25:15.230 align:center
because it's going to
really impact our lives.

00:25:15.230 --> 00:25:18.050 align:center
So yeah, that's where my
passion for participatory design

00:25:18.050 --> 00:25:21.140 align:center
comes from, and it's
definitely a challenge.

00:25:21.140 --> 00:25:23.880 align:center
Some of the things that I've
experienced, for example,

00:25:23.880 --> 00:25:26.178 align:center
it can be tricky to--

00:25:26.178 --> 00:25:28.220 align:center
of course you want people
in your design process.

00:25:28.220 --> 00:25:33.390 align:center
But you are using a lot of
jargon and design vocabulary.

00:25:33.390 --> 00:25:35.850 align:center
And you have specific
design activities,

00:25:35.850 --> 00:25:37.950 align:center
and you use words
like analogies,

00:25:37.950 --> 00:25:38.920 align:center
and things like that.

00:25:38.920 --> 00:25:40.840 align:center
And it's not accessible at all.

00:25:40.840 --> 00:25:42.900 align:center
It's really confusing
for a lot of people,

00:25:42.900 --> 00:25:46.320 align:center
and for a lot of designers
even, too, sometimes.

00:25:46.320 --> 00:25:49.620 align:center
So for me, it has been
sometimes challenging,

00:25:49.620 --> 00:25:52.890 align:center
like how to translate
something that I'm designing in

00:25:52.890 --> 00:25:55.830 align:center
like my process, and translate
that to everyday activities

00:25:55.830 --> 00:25:56.980 align:center
that people can relate to.

00:25:56.980 --> 00:25:58.960 align:center
So they can participate
in a meaningful way,

00:25:58.960 --> 00:26:00.870 align:center
and they don't have
to pretend to be

00:26:00.870 --> 00:26:02.700 align:center
a designer, which they're not.

00:26:02.700 --> 00:26:03.450 align:center
But that's good.

00:26:03.450 --> 00:26:05.820 align:center
They're like super experts
of their experience,

00:26:05.820 --> 00:26:08.440 align:center
and they have so much valuable
insights to bring into that.

00:26:08.440 --> 00:26:10.410 align:center
So I feel like you
should really empower

00:26:10.410 --> 00:26:14.140 align:center
them to play that role
in your design process.

00:26:14.140 --> 00:26:18.060 align:center
So, for example, at some point
I was using this design approach

00:26:18.060 --> 00:26:20.580 align:center
that was super abstract
and high-level because I

00:26:20.580 --> 00:26:24.600 align:center
was creating this strategy for
participation in the energy

00:26:24.600 --> 00:26:25.750 align:center
transition.

00:26:25.750 --> 00:26:29.910 align:center
And then, well, it was like, oh,
yeah, I should have analogies.

00:26:29.910 --> 00:26:31.650 align:center
And from that, I'm
going to create ideas.

00:26:31.650 --> 00:26:33.720 align:center
And it's going to
be great like that.

00:26:33.720 --> 00:26:36.070 align:center
But yeah, analogies are
tricky to work with.

00:26:36.070 --> 00:26:38.340 align:center
So in the end,
what we did was we

00:26:38.340 --> 00:26:40.380 align:center
let people brainstorm
and think about ideas--

00:26:40.380 --> 00:26:42.540 align:center
what would work in their
context, in their lives,

00:26:42.540 --> 00:26:44.550 align:center
and really help them
relate it to that.

00:26:44.550 --> 00:26:47.410 align:center
And we reverse engineered
analogies from that.

00:26:47.410 --> 00:26:50.340 align:center
And then in the end,
going back and forth,

00:26:50.340 --> 00:26:52.202 align:center
I think that is kind
of the challenge

00:26:52.202 --> 00:26:53.160 align:center
that we're having here.

00:26:53.160 --> 00:26:54.420 align:center
But it's super interesting.

00:26:54.420 --> 00:26:58.440 align:center
Like, how can you maybe even
redesign your design process,

00:26:58.440 --> 00:27:01.380 align:center
and make the process itself
more accessible and more

00:27:01.380 --> 00:27:04.740 align:center
interesting for you,
quite frankly, as well?

00:27:04.740 --> 00:27:06.520 align:center
But, yeah, it can
be a challenge.

00:27:06.520 --> 00:27:08.520 align:center
And I think it's
also really important

00:27:08.520 --> 00:27:10.800 align:center
to think about how
can we involve people

00:27:10.800 --> 00:27:14.880 align:center
beyond just testing what
we came up with, And, like,

00:27:14.880 --> 00:27:17.380 align:center
really allow them to be involved
all the way through-- like,

00:27:17.380 --> 00:27:18.580 align:center
from beginning to end.

00:27:18.580 --> 00:27:21.010 align:center
And give them a say,
too, in where we're

00:27:21.010 --> 00:27:22.840 align:center
going with our design process.

00:27:22.840 --> 00:27:24.980 align:center
And, like, letting
go a bit of control,

00:27:24.980 --> 00:27:26.390 align:center
which can be tricky and hard.

00:27:26.390 --> 00:27:27.400 align:center
I guess, for designers.

00:27:27.400 --> 00:27:28.518 align:center
Because-- I don't know.

00:27:28.518 --> 00:27:31.060 align:center
What you're designing can become
a little bit like your baby,

00:27:31.060 --> 00:27:31.560 align:center
right?

00:27:31.560 --> 00:27:33.790 align:center
So it's something you
really care about,

00:27:33.790 --> 00:27:35.138 align:center
and you thought a lot about.

00:27:35.138 --> 00:27:36.430 align:center
You put a lot of thought in it.

00:27:36.430 --> 00:27:39.223 align:center
But yeah, I think sharing that
with other people, in the end,

00:27:39.223 --> 00:27:41.140 align:center
is going to be really
great for the end result

00:27:41.140 --> 00:27:43.330 align:center
and really interesting, too.

00:27:43.330 --> 00:27:45.220 align:center
And then another thing
I wanted to share

00:27:45.220 --> 00:27:48.550 align:center
is that I think the
experience of being

00:27:48.550 --> 00:27:50.290 align:center
a participant in
a design process

00:27:50.290 --> 00:27:52.690 align:center
can be really valuable
for people in itself

00:27:52.690 --> 00:27:55.480 align:center
already because it makes
people feel listened to.

00:27:55.480 --> 00:27:58.030 align:center
And maybe at first it--
be a little bit hesitant.

00:27:58.030 --> 00:28:02.380 align:center
Like, what could I like
share value for a designer?

00:28:02.380 --> 00:28:03.310 align:center
I don't know.

00:28:03.310 --> 00:28:05.290 align:center
Maybe I struggle
with certain things,

00:28:05.290 --> 00:28:06.785 align:center
but maybe that's just me.

00:28:06.785 --> 00:28:09.160 align:center
So I think that's also really
interesting-- like, how can

00:28:09.160 --> 00:28:12.550 align:center
we really empower people to feel
that they have something really

00:28:12.550 --> 00:28:15.860 align:center
important to tell us that we
can really learn from and take

00:28:15.860 --> 00:28:18.950 align:center
with us So they really feel
that they can be critical.

00:28:18.950 --> 00:28:21.230 align:center
And they're experts, in a way.

00:28:21.230 --> 00:28:24.110 align:center
So yeah, I think
all-in-all, it's

00:28:24.110 --> 00:28:25.670 align:center
super interesting
and challenging.

00:28:25.670 --> 00:28:27.770 align:center
But I feel like with
new technologies,

00:28:27.770 --> 00:28:31.610 align:center
there are continuously new
opportunities emerging.

00:28:31.610 --> 00:28:33.200 align:center
And it should be
just like a dialogue.

00:28:33.200 --> 00:28:34.850 align:center
Like, how can we
get people involved?

00:28:34.850 --> 00:28:37.380 align:center
And that in itself should
be participatory, in a way,

00:28:37.380 --> 00:28:37.880 align:center
as well.

00:28:37.880 --> 00:28:39.650 align:center
Like, how do people
want to be involved?

00:28:39.650 --> 00:28:41.900 align:center
And how can we make it
interesting for them

00:28:41.900 --> 00:28:44.600 align:center
and valuable, and-- yeah,
keep that conversation,

00:28:44.600 --> 00:28:45.680 align:center
that dialogue going?

00:28:45.680 --> 00:28:47.970 align:center
So yeah, I'll just
leave it at that.

00:28:47.970 --> 00:28:50.840 align:center
But yeah, it's something
I'm really interested in.

00:28:50.840 --> 00:28:52.860 align:center
Yeah.

00:28:52.860 --> 00:28:53.850 align:center
KAYLA BROWN: Thank you.

00:28:53.850 --> 00:28:55.140 align:center
Yeah, I was--

00:28:55.140 --> 00:28:56.790 align:center
I think it was
your bio that I was

00:28:56.790 --> 00:29:03.900 align:center
reading on the Institute for
Human-Centered Design website.

00:29:03.900 --> 00:29:06.930 align:center
And one thing that
you said in it

00:29:06.930 --> 00:29:11.220 align:center
was that you like to balance
technical skills with empathy.

00:29:11.220 --> 00:29:15.660 align:center
And so I thought that was a
really good way of saying it.

00:29:15.660 --> 00:29:17.490 align:center
So thank you for sharing that.

00:29:20.010 --> 00:29:24.120 align:center
Mia, I am really
glad that you were

00:29:24.120 --> 00:29:27.810 align:center
able to come not only
representing HuskyADAPT,

00:29:27.810 --> 00:29:30.150 align:center
but representing yourself.

00:29:30.150 --> 00:29:33.750 align:center
I would love to hear a little
bit about your research,

00:29:33.750 --> 00:29:36.420 align:center
what you're doing,
and also if you could

00:29:36.420 --> 00:29:38.730 align:center
talk a little bit
about HuskyADAPT

00:29:38.730 --> 00:29:43.830 align:center
and what impact you think
it's had on the U-Dub campus.

00:29:47.260 --> 00:29:51.510 align:center
MIA HOFFMAN: So my research, I--

00:29:51.510 --> 00:29:55.410 align:center
my research kind of
spans supporting kids

00:29:55.410 --> 00:29:58.052 align:center
and meeting with them where
they're at to support play

00:29:58.052 --> 00:29:59.010 align:center
and exploration, right?

00:29:59.010 --> 00:30:02.580 align:center
That's the most critical
thing for a little kid,

00:30:02.580 --> 00:30:05.550 align:center
is playing with their siblings,
playing with their family,

00:30:05.550 --> 00:30:07.030 align:center
exploring the world around them.

00:30:07.030 --> 00:30:09.450 align:center
So whether that-- and
we have to figure out

00:30:09.450 --> 00:30:11.850 align:center
how technology supports that.

00:30:11.850 --> 00:30:13.350 align:center
For a lot of kids
with disabilities,

00:30:13.350 --> 00:30:17.220 align:center
that's denied right
now by insurance.

00:30:17.220 --> 00:30:21.540 align:center
Companies don't want to work
there right now because it's

00:30:21.540 --> 00:30:23.970 align:center
not a big market, right?

00:30:23.970 --> 00:30:25.080 align:center
So a lot of--

00:30:25.080 --> 00:30:27.570 align:center
so then it's kind of gone
to the maker community of,

00:30:27.570 --> 00:30:31.650 align:center
how do we make things accessible
through low-cost things?

00:30:31.650 --> 00:30:34.710 align:center
So Go Baby Go is a
wonderful organization

00:30:34.710 --> 00:30:37.620 align:center
that Heather is very
involved with, as well,

00:30:37.620 --> 00:30:39.600 align:center
where we provide--
where we adapt

00:30:39.600 --> 00:30:41.880 align:center
off-the-shelf ride-on cars,
just like those Jeeps used

00:30:41.880 --> 00:30:43.088 align:center
to drive around the backyard.

00:30:43.088 --> 00:30:44.850 align:center
We adapt those to
make them accessible

00:30:44.850 --> 00:30:48.930 align:center
using PVC, kickboards, pool
noodles, all the works,

00:30:48.930 --> 00:30:51.150 align:center
and do a little bit
of electrical wiring

00:30:51.150 --> 00:30:53.520 align:center
to make them switch-accessible.

00:30:53.520 --> 00:30:57.420 align:center
Similarly, HuskyADAPT, we do a
lot of toy adaptations, right?

00:30:57.420 --> 00:31:01.500 align:center
So all those toys you
go and buy at Target,

00:31:01.500 --> 00:31:02.640 align:center
they're not accessible.

00:31:02.640 --> 00:31:05.400 align:center
They have small buttons.

00:31:05.400 --> 00:31:08.490 align:center
But for $0.25, we can make
them accessible by putting

00:31:08.490 --> 00:31:12.090 align:center
an audio jack in parallel with
some of the buttons on the toy.

00:31:12.090 --> 00:31:16.200 align:center
So what that takes is a team
of two or three volunteers

00:31:16.200 --> 00:31:17.400 align:center
two hours to do.

00:31:17.400 --> 00:31:21.090 align:center
Someday I dream that
it'll be involved into--

00:31:21.090 --> 00:31:23.820 align:center
Fisher-Price will
finally just integrate it

00:31:23.820 --> 00:31:25.027 align:center
into their devices, right?

00:31:25.027 --> 00:31:27.360 align:center
We thought we were getting
there with a couple companies

00:31:27.360 --> 00:31:29.160 align:center
that we know.

00:31:29.160 --> 00:31:30.690 align:center
But until that day,
it's just going

00:31:30.690 --> 00:31:33.780 align:center
to be the maker community
that's doing this.

00:31:33.780 --> 00:31:36.600 align:center
So my work kind of
spans on how can we

00:31:36.600 --> 00:31:40.230 align:center
both leverage commercial
options that are affordable

00:31:40.230 --> 00:31:42.570 align:center
and do some of the work
that gets them maybe

00:31:42.570 --> 00:31:49.110 align:center
covered by insurance,
ensuring that they're ethical,

00:31:49.110 --> 00:31:51.930 align:center
they're useful for the families,
and that they're actually using

00:31:51.930 --> 00:31:54.060 align:center
them and benefiting the kids.

00:31:54.060 --> 00:31:57.180 align:center
But also saying, how can we
support the maker movement

00:31:57.180 --> 00:32:00.900 align:center
in filling this gap that
isn't really being filled?

00:32:00.900 --> 00:32:03.450 align:center
So we're creating a
switch-accessible kit

00:32:03.450 --> 00:32:08.490 align:center
right now that I see as the Go
Baby Go of the 2020s, right?

00:32:08.490 --> 00:32:12.270 align:center
There's a lot of iPad
children out there.

00:32:12.270 --> 00:32:15.900 align:center
Kids with disabilities
should also be iPad children.

00:32:15.900 --> 00:32:17.460 align:center
So we're kind of
creating, basically,

00:32:17.460 --> 00:32:20.370 align:center
an input device similar to
the ones that Microsoft has,

00:32:20.370 --> 00:32:21.630 align:center
but just a plug and play.

00:32:21.630 --> 00:32:24.240 align:center
It works on any device.

00:32:24.240 --> 00:32:25.810 align:center
And it works with
six switch inputs.

00:32:25.810 --> 00:32:27.060 align:center
You can use it with your iPad.

00:32:27.060 --> 00:32:28.435 align:center
You can use it
with your computer

00:32:28.435 --> 00:32:30.690 align:center
to play basic computer games.

00:32:30.690 --> 00:32:33.330 align:center
But the really cool thing
about getting computer access

00:32:33.330 --> 00:32:35.080 align:center
is then you can use
things like Scratch,

00:32:35.080 --> 00:32:39.240 align:center
which is an open source block
coding language that's really

00:32:39.240 --> 00:32:42.390 align:center
designed for kids to play with.

00:32:42.390 --> 00:32:45.480 align:center
And creating anything from
really simple cause and effect

00:32:45.480 --> 00:32:48.392 align:center
animations to games that
they can play with siblings

00:32:48.392 --> 00:32:49.350 align:center
and family and friends.

00:32:49.350 --> 00:32:53.130 align:center
So it's kind of-- bridging that
digital divide is a big part

00:32:53.130 --> 00:32:54.930 align:center
of my research right now.

00:32:54.930 --> 00:32:57.270 align:center
And that's been really fun
because that project's really

00:32:57.270 --> 00:33:01.380 align:center
started with families and
clinicians in the area.

00:33:01.380 --> 00:33:04.200 align:center
And it's going back
there, and then

00:33:04.200 --> 00:33:07.770 align:center
hopefully bringing it around
the country for the next goal.

00:33:10.503 --> 00:33:12.170 align:center
KAYLA BROWN: I really
encourage everyone

00:33:12.170 --> 00:33:15.830 align:center
to check out the
HuskyADAPT website

00:33:15.830 --> 00:33:19.370 align:center
and look at some of those
projects that are linked there.

00:33:19.370 --> 00:33:23.420 align:center
It's in the PowerPoint that
I'll share again at the end.

00:33:23.420 --> 00:33:26.810 align:center
They're really fun, and
it's a lot of great work.

00:33:26.810 --> 00:33:34.000 align:center
So, Heather, you
wear a lot of hats,

00:33:34.000 --> 00:33:36.250 align:center
and you've done a lot of things.

00:33:36.250 --> 00:33:40.360 align:center
But you have a disability
studies background.

00:33:40.360 --> 00:33:43.720 align:center
And I wondered if you could
talk a little bit about how

00:33:43.720 --> 00:33:45.460 align:center
that impacts your work.

00:33:45.460 --> 00:33:49.360 align:center
And also, if you want to
plug the CREATE Center,

00:33:49.360 --> 00:33:50.380 align:center
feel free to do that.

00:33:50.380 --> 00:33:53.740 align:center
Because you all are
doing great things there.

00:33:53.740 --> 00:33:55.400 align:center
So, yeah.

00:33:55.400 --> 00:33:57.010 align:center
HEATHER FELDNER:
Yeah, absolutely.

00:33:57.010 --> 00:34:02.290 align:center
So I spent probably
13 years full time

00:34:02.290 --> 00:34:05.890 align:center
in clinical settings as
a physical therapist,

00:34:05.890 --> 00:34:11.679 align:center
primarily in
pediatrics, and thought

00:34:11.679 --> 00:34:13.570 align:center
I knew a bit about
disability-- worked

00:34:13.570 --> 00:34:15.760 align:center
a lot with kids and families.

00:34:15.760 --> 00:34:20.320 align:center
It was well before I
identified as disabled myself.

00:34:20.320 --> 00:34:23.800 align:center
And I worked a lot
with technology

00:34:23.800 --> 00:34:29.170 align:center
at that point from a
clinical standpoint and did--

00:34:29.170 --> 00:34:31.330 align:center
kind of saw some
of the challenges,

00:34:31.330 --> 00:34:35.320 align:center
in terms of the
system for accessing

00:34:35.320 --> 00:34:39.250 align:center
appropriately-designed
technology.

00:34:39.250 --> 00:34:44.710 align:center
Especially for really
young kids, just did not--

00:34:44.710 --> 00:34:47.110 align:center
see, there was not many options.

00:34:47.110 --> 00:34:49.870 align:center
Folks didn't believe
that young kids needed

00:34:49.870 --> 00:34:53.020 align:center
to move on their own and
explore the world, whether that

00:34:53.020 --> 00:34:57.160 align:center
was with wheels, or with a
gait trainer, or whatever.

00:34:57.160 --> 00:34:59.200 align:center
And so definitely
kind of saw-- like,

00:34:59.200 --> 00:35:01.540 align:center
was always interested
in a design--

00:35:01.540 --> 00:35:04.030 align:center
in the design component
from that standpoint,

00:35:04.030 --> 00:35:10.630 align:center
and about actually trying
to promote more designs

00:35:10.630 --> 00:35:14.740 align:center
for younger disabled folks.

00:35:14.740 --> 00:35:18.520 align:center
And then when I went
back for my PhD,

00:35:18.520 --> 00:35:20.200 align:center
I chose disability studies.

00:35:20.200 --> 00:35:25.150 align:center
And I'm so grateful that I did
because it kind of blew my mind

00:35:25.150 --> 00:35:28.580 align:center
in the sense of, oh, I--

00:35:28.580 --> 00:35:30.892 align:center
again, I didn't identify
as disabled at that time.

00:35:30.892 --> 00:35:32.850 align:center
So I didn't have any
personal lived experience.

00:35:32.850 --> 00:35:35.510 align:center
And so it was this
amazing opportunity

00:35:35.510 --> 00:35:39.470 align:center
to really check my own
biases and understand

00:35:39.470 --> 00:35:42.680 align:center
this idea of lived
expertise in a way

00:35:42.680 --> 00:35:47.030 align:center
that I couldn't fully
engage with when

00:35:47.030 --> 00:35:48.620 align:center
I was a therapist, right?

00:35:48.620 --> 00:35:55.730 align:center
And so that was just an awesome
and very humbling experience--

00:35:55.730 --> 00:36:01.610 align:center
and just learned so much,
and just really embraced

00:36:01.610 --> 00:36:06.380 align:center
the tensions that are kind
of inherent in a somewhat

00:36:06.380 --> 00:36:09.680 align:center
traditional medical model
background that I was

00:36:09.680 --> 00:36:11.830 align:center
originally trained in wi--

00:36:11.830 --> 00:36:15.740 align:center
compared to this social model.

00:36:15.740 --> 00:36:19.550 align:center
And for me in particular,
more of a relational model

00:36:19.550 --> 00:36:24.320 align:center
of looking at disability as a
natural part of human diversity

00:36:24.320 --> 00:36:26.240 align:center
as something that's
to be celebrated.

00:36:26.240 --> 00:36:31.340 align:center
And that our designs and
our technology charges

00:36:31.340 --> 00:36:37.350 align:center
have to be inclusive from that
kind of empowerment standpoint,

00:36:37.350 --> 00:36:37.850 align:center
right?

00:36:37.850 --> 00:36:41.430 align:center
It's not a fix for
something that's broken.

00:36:41.430 --> 00:36:46.940 align:center
It's not-- we're not
augmenting for a deficit,

00:36:46.940 --> 00:36:48.190 align:center
right-- from that perspective.

00:36:48.190 --> 00:36:50.530 align:center
We're meeting people
where they're at,

00:36:50.530 --> 00:36:55.060 align:center
and understanding that everybody
has needs and none of them

00:36:55.060 --> 00:36:57.580 align:center
are considered special, right?

00:36:57.580 --> 00:36:59.380 align:center
They're just
needs-- human needs.

00:36:59.380 --> 00:37:01.540 align:center
And we're all variable, right?

00:37:01.540 --> 00:37:04.570 align:center
And so that was
just so great, to be

00:37:04.570 --> 00:37:08.050 align:center
able to sit with that tension
and interact with that tension

00:37:08.050 --> 00:37:09.350 align:center
in the work that I did.

00:37:09.350 --> 00:37:11.560 align:center
And so, from a
research standpoint,

00:37:11.560 --> 00:37:15.220 align:center
I stayed very much involved
in technology, design,

00:37:15.220 --> 00:37:19.100 align:center
and implementation, especially
related to mobility.

00:37:19.100 --> 00:37:24.670 align:center
But I did so from that
disability studies relational

00:37:24.670 --> 00:37:25.580 align:center
perspective.

00:37:25.580 --> 00:37:29.290 align:center
And so I wound up using a lot
of participatory action research

00:37:29.290 --> 00:37:34.930 align:center
methodology in my work, really
getting kids, and families,

00:37:34.930 --> 00:37:41.650 align:center
and adults who use mobility
technology kind of positioned

00:37:41.650 --> 00:37:43.150 align:center
as the experts, right?

00:37:43.150 --> 00:37:48.850 align:center
And just kind of was really
able to-- there's not

00:37:48.850 --> 00:37:51.760 align:center
a ton of that type of
methodology in rehabilitation

00:37:51.760 --> 00:37:52.610 align:center
research right now.

00:37:52.610 --> 00:37:56.650 align:center
And so to be able to start
to open that conversation,

00:37:56.650 --> 00:38:04.000 align:center
and to be able to talk about the
ways in which our systems are

00:38:04.000 --> 00:38:08.590 align:center
set up to be ableist, and
what that actually means.

00:38:08.590 --> 00:38:12.220 align:center
And kind of amplifying
voices and experiences

00:38:12.220 --> 00:38:20.260 align:center
from folks who have that lived
experience, that was really--

00:38:20.260 --> 00:38:21.820 align:center
it was just an awesome--

00:38:21.820 --> 00:38:24.970 align:center
I just am very grateful that I
kind of came across that path,

00:38:24.970 --> 00:38:27.430 align:center
and was able to
really reconstruct

00:38:27.430 --> 00:38:34.600 align:center
in my own mind the way that
I thought about disability

00:38:34.600 --> 00:38:36.885 align:center
and I thought about
technology, and inclusivity,

00:38:36.885 --> 00:38:37.760 align:center
and things like that.

00:38:37.760 --> 00:38:44.470 align:center
And so it's been really
great to use that background.

00:38:44.470 --> 00:38:47.815 align:center
And it's like once you're
there, you don't go back, right?

00:38:47.815 --> 00:38:48.440 align:center
You don't ever.

00:38:48.440 --> 00:38:50.870 align:center
I had one of my faculty--

00:38:50.870 --> 00:38:54.440 align:center
or one of my
professors in my PhD,

00:38:54.440 --> 00:38:59.030 align:center
Jim Charlton, who wrote the book
Nothing About Us Without Us,

00:38:59.030 --> 00:39:04.910 align:center
he showed us the movie The
Matrix early on in our studies.

00:39:04.910 --> 00:39:08.532 align:center
And he made a big deal about
when you can take the blue pill

00:39:08.532 --> 00:39:09.740 align:center
or you can take the red pill.

00:39:09.740 --> 00:39:11.270 align:center
And if you take the
blue pill, you go down

00:39:11.270 --> 00:39:13.437 align:center
and you learn the truth,
but you don't ever go back.

00:39:13.437 --> 00:39:16.978 align:center
And you can't unsee that, or
unhear that, or unfeel that.

00:39:16.978 --> 00:39:18.770 align:center
But if you take the
red pill, then you just

00:39:18.770 --> 00:39:20.240 align:center
go back to status quo.

00:39:20.240 --> 00:39:22.160 align:center
And it's really true.

00:39:22.160 --> 00:39:26.420 align:center
Like, I love thinking about--

00:39:26.420 --> 00:39:27.890 align:center
I mean, disability
studies is just

00:39:27.890 --> 00:39:31.430 align:center
infused in everything I do now,
regardless of whether that's

00:39:31.430 --> 00:39:35.630 align:center
more rehab-focused or more
ableism in healthcare-focused,

00:39:35.630 --> 00:39:38.300 align:center
or even teaching.

00:39:38.300 --> 00:39:39.930 align:center
That's always there now.

00:39:39.930 --> 00:39:42.230 align:center
And so I'm very, very
grateful for the field,

00:39:42.230 --> 00:39:44.090 align:center
and to be a part of that field.

00:39:44.090 --> 00:39:45.840 align:center
And it comes through
in CREATE, too.

00:39:45.840 --> 00:39:51.310 align:center
And so CREATE is made up of
a lot of different faculty

00:39:51.310 --> 00:39:52.990 align:center
at University of
Washington that had all

00:39:52.990 --> 00:39:57.430 align:center
been doing accessibility
research in various ways.

00:39:57.430 --> 00:39:58.990 align:center
And it's very interdisciplinary.

00:39:58.990 --> 00:40:01.000 align:center
So we've got human-centered
design folks.

00:40:01.000 --> 00:40:05.230 align:center
We've got mechanical engineering
folks, electrical engineering,

00:40:05.230 --> 00:40:09.190 align:center
Information School,
rehab medicine.

00:40:09.190 --> 00:40:15.010 align:center
And it is just a really cool
way to start forming connections

00:40:15.010 --> 00:40:17.488 align:center
that I, as a rehab--

00:40:17.488 --> 00:40:19.780 align:center
somebody with a rehab and
disability studies background

00:40:19.780 --> 00:40:23.320 align:center
can now collaborate with
somebody in computer science

00:40:23.320 --> 00:40:27.320 align:center
on a sidewalk accessibility
project, for example.

00:40:27.320 --> 00:40:29.990 align:center
So it's this really
cool blend that we

00:40:29.990 --> 00:40:35.750 align:center
were all kind of doing
great work individually.

00:40:35.750 --> 00:40:39.130 align:center
And now we have the center that
we can form new collaborations

00:40:39.130 --> 00:40:41.770 align:center
and start to think
about new possibilities,

00:40:41.770 --> 00:40:44.200 align:center
again, with this kind of
overarching disability studies

00:40:44.200 --> 00:40:46.630 align:center
perspective, which I
just-- is just so valuable.

00:40:50.460 --> 00:40:51.900 align:center
KAYLA BROWN: Thank you so much.

00:40:51.900 --> 00:40:55.610 align:center
Yeah, some of your
work was the first time

00:40:55.610 --> 00:40:59.510 align:center
that I had ever seen disability
studies applied to-- explicitly

00:40:59.510 --> 00:41:01.440 align:center
to a healthcare setting.

00:41:01.440 --> 00:41:06.860 align:center
And so that really
influenced where

00:41:06.860 --> 00:41:10.550 align:center
I went with my academic
career, as well.

00:41:10.550 --> 00:41:11.660 align:center
So thank you all.

00:41:11.660 --> 00:41:16.550 align:center
As you can tell, everybody has
very different but also similar

00:41:16.550 --> 00:41:20.030 align:center
kind of philosophies on
work and what they do.

00:41:20.030 --> 00:41:26.330 align:center
So I'd really like to open it up
to the audience for questions.

00:41:26.330 --> 00:41:29.370 align:center
If you have a question,
you can put it in the chat,

00:41:29.370 --> 00:41:32.570 align:center
you can raise your hand, or
you can just unmute yourself

00:41:32.570 --> 00:41:35.120 align:center
and say it out loud.

00:41:35.120 --> 00:41:38.540 align:center
So I really encourage
any of you who

00:41:38.540 --> 00:41:41.060 align:center
have questions for any of
the panelists to go ahead

00:41:41.060 --> 00:41:41.975 align:center
and do so.

00:41:52.200 --> 00:41:54.660 align:center
Sometimes I give a minute
because people might be typing.

00:42:02.960 --> 00:42:04.970 align:center
BRIANNA BLASER: I have
a question, Kayla.

00:42:04.970 --> 00:42:06.900 align:center
KAYLA BROWN: Yeah, go for it.

00:42:06.900 --> 00:42:09.110 align:center
BRIANNA BLASER: I feel like
sometimes we see folks--

00:42:09.110 --> 00:42:12.050 align:center
I don't know,
particularly folks just

00:42:12.050 --> 00:42:14.090 align:center
getting interested
in something related

00:42:14.090 --> 00:42:17.090 align:center
to disability and
accessibility-- who maybe don't

00:42:17.090 --> 00:42:20.630 align:center
go about it in
quite the right way

00:42:20.630 --> 00:42:22.840 align:center
and don't involve people
with disabilities.

00:42:22.840 --> 00:42:25.340 align:center
So for somebody who's starting
to have an interest but isn't

00:42:25.340 --> 00:42:27.680 align:center
really engaged with the
disability community,

00:42:27.680 --> 00:42:29.225 align:center
what advice would you give them?

00:42:33.880 --> 00:42:37.105 align:center
KAYLA BROWN: And anyone on the
panel can jump in on these.

00:42:41.730 --> 00:42:44.260 align:center
LAUREN RACE: I think I can
at least try to help here.

00:42:44.260 --> 00:42:47.580 align:center
I think starting-- I tell
my students, start reading.

00:42:47.580 --> 00:42:51.390 align:center
If you're not ready to
volunteer, or start to partner

00:42:51.390 --> 00:42:54.870 align:center
with community members, or get
involved, you can read memoirs.

00:42:54.870 --> 00:42:57.180 align:center
You can read books on
disability justice.

00:42:57.180 --> 00:43:01.030 align:center
You can watch movies
and documentaries on it.

00:43:01.030 --> 00:43:05.010 align:center
I tell them to start
there just because I

00:43:05.010 --> 00:43:07.140 align:center
think it's good to have
that foundational education

00:43:07.140 --> 00:43:08.585 align:center
before you start going in.

00:43:08.585 --> 00:43:09.960 align:center
Because there's
a lot of harm you

00:43:09.960 --> 00:43:12.450 align:center
can do if you don't have that
education about the disability

00:43:12.450 --> 00:43:14.242 align:center
justice movement and
the history behind it.

00:43:18.408 --> 00:43:19.950 align:center
HEATHER FELDNER:
And this is Heather.

00:43:19.950 --> 00:43:25.980 align:center
I would add also following
social media profiles

00:43:25.980 --> 00:43:29.580 align:center
of disabled activists--

00:43:29.580 --> 00:43:35.250 align:center
Disability Visibility,
Alice Wong, and--

00:43:35.250 --> 00:43:39.510 align:center
there's lots of different
social media outlets

00:43:39.510 --> 00:43:43.410 align:center
that really are that kind
of lived experience justice

00:43:43.410 --> 00:43:45.480 align:center
perspective.

00:43:45.480 --> 00:43:48.720 align:center
And they also all have
those great memoirs,

00:43:48.720 --> 00:43:50.730 align:center
as Lauren was mentioning, too.

00:43:58.190 --> 00:43:58.940 align:center
KAYLA BROWN: Yeah.

00:43:58.940 --> 00:44:04.170 align:center
Thanks, Mia, for putting
in the chat some resources.

00:44:04.170 --> 00:44:09.140 align:center
So I feel like everyone should
watch Crip Camp if you haven't.

00:44:09.140 --> 00:44:13.530 align:center
It's free on YouTube.

00:44:13.530 --> 00:44:14.510 align:center
It's on Netflix.

00:44:14.510 --> 00:44:15.780 align:center
So definitely do that.

00:44:15.780 --> 00:44:19.890 align:center
And then Disability Visibility
by Alice Wong, really,

00:44:19.890 --> 00:44:22.070 align:center
really great, as well--

00:44:22.070 --> 00:44:25.550 align:center
"About Us" essays from
the Disability series

00:44:25.550 --> 00:44:27.260 align:center
of New York Times.

00:44:27.260 --> 00:44:33.677 align:center
And I'm also going to put in the
chat a book that we're doing--

00:44:33.677 --> 00:44:35.510 align:center
actually, some of you
are in the book club--

00:44:35.510 --> 00:44:39.950 align:center
that we are doing on
Against Technoableism--

00:44:39.950 --> 00:44:43.760 align:center
Rethinking Who Needs
Improvement by Ashley Shew.

00:44:43.760 --> 00:44:48.930 align:center
So I encourage you to check
that out, if you are interested.

00:44:48.930 --> 00:44:49.430 align:center
Yeah.

00:44:49.430 --> 00:44:55.310 align:center
So we're very, very excited
to do that as a book club.

00:44:55.310 --> 00:44:58.730 align:center
So if anyone's interested,
just send me a message

00:44:58.730 --> 00:45:02.850 align:center
and I'll get you
the information.

00:45:02.850 --> 00:45:03.350 align:center
OK.

00:45:03.350 --> 00:45:06.860 align:center
I have a question for Heather.

00:45:06.860 --> 00:45:08.690 align:center
What did CREATE stand for again?

00:45:08.690 --> 00:45:12.703 align:center
And can you share a little bit
more about what you do there?

00:45:12.703 --> 00:45:14.120 align:center
HEATHER FELDNER:
Yeah, absolutely.

00:45:14.120 --> 00:45:15.200 align:center
And I can put--

00:45:15.200 --> 00:45:17.203 align:center
I can type it out in
the chat because that's

00:45:17.203 --> 00:45:19.620 align:center
why we call it CREATE, because
it's a really long acronym.

00:45:19.620 --> 00:45:24.290 align:center
But it's the Center for
Research and Education

00:45:24.290 --> 00:45:29.390 align:center
on Accessible Technology
and Experiences.

00:45:29.390 --> 00:45:35.510 align:center
And so, as I briefly
mentioned, it kind of

00:45:35.510 --> 00:45:39.690 align:center
came together during the
early part of the pandemic.

00:45:39.690 --> 00:45:41.840 align:center
There were a lot of
us that were doing

00:45:41.840 --> 00:45:46.130 align:center
different types of
accessibility research

00:45:46.130 --> 00:45:47.960 align:center
in and around U-Dub's campus.

00:45:47.960 --> 00:45:50.120 align:center
Some were doing digital
accessibility work.

00:45:50.120 --> 00:45:56.300 align:center
Some were doing
informatics work.

00:45:56.300 --> 00:46:02.340 align:center
Some were doing very traditional
design and fabrication work.

00:46:02.340 --> 00:46:08.310 align:center
Some were doing adaptation.

00:46:08.310 --> 00:46:10.757 align:center
And so we kind of
said, hey, we should--

00:46:10.757 --> 00:46:12.090 align:center
we're all doing this great work.

00:46:12.090 --> 00:46:15.580 align:center
Like, U-Dub should-- we
should come together.

00:46:15.580 --> 00:46:23.160 align:center
And so CREATE was founded in
2020 with the kind of mission

00:46:23.160 --> 00:46:25.740 align:center
to make technology--
make the world

00:46:25.740 --> 00:46:28.380 align:center
accessible through technology
and make technology

00:46:28.380 --> 00:46:29.860 align:center
accessible to everyone.

00:46:29.860 --> 00:46:34.710 align:center
And so we have a couple--

00:46:34.710 --> 00:46:38.700 align:center
there's a couple different
focus areas in CREATE right now,

00:46:38.700 --> 00:46:42.310 align:center
one of which has been one that
I've been most involved in,

00:46:42.310 --> 00:46:46.620 align:center
which is mobility, and
technology, and access.

00:46:46.620 --> 00:46:48.720 align:center
We've done a couple
of research projects

00:46:48.720 --> 00:46:51.240 align:center
working with young
kids with disabilities

00:46:51.240 --> 00:46:55.860 align:center
and getting access
to powered mobility

00:46:55.860 --> 00:47:01.320 align:center
for self-initiated mobility
exploration, socialization.

00:47:01.320 --> 00:47:05.910 align:center
So we've been able
to look at kind

00:47:05.910 --> 00:47:09.480 align:center
of a cool blend of
engineering and tech

00:47:09.480 --> 00:47:13.650 align:center
with some of our power mobility
devices for really young kids.

00:47:13.650 --> 00:47:19.650 align:center
And we have gotten a lot of
information about the successes

00:47:19.650 --> 00:47:24.420 align:center
that kids have, even at
9, 10, 12 months of age

00:47:24.420 --> 00:47:27.720 align:center
engaging in mobility
on their own,

00:47:27.720 --> 00:47:30.810 align:center
which is so empowering and
so important for development

00:47:30.810 --> 00:47:32.670 align:center
throughout the
lifespan, regardless

00:47:32.670 --> 00:47:35.670 align:center
of whatever form of
mobility you use, right?

00:47:35.670 --> 00:47:39.600 align:center
So that's been a
real focus for us.

00:47:39.600 --> 00:47:43.140 align:center
The design component of
that has come into play

00:47:43.140 --> 00:47:47.100 align:center
because we also know
that every child is going

00:47:47.100 --> 00:47:51.270 align:center
to have unique needs in terms
of accessing their joystick,

00:47:51.270 --> 00:47:53.950 align:center
or their switch to control
the device, positioning,

00:47:53.950 --> 00:47:55.180 align:center
things like that.

00:47:55.180 --> 00:47:58.230 align:center
So we've had to do a
lot of adaptation--

00:47:58.230 --> 00:48:03.210 align:center
DIY design with 3D printing,
with just low-tech materials

00:48:03.210 --> 00:48:04.470 align:center
like pool noodles--

00:48:04.470 --> 00:48:12.090 align:center
to come up with various ways to
optimize access for these kids.

00:48:12.090 --> 00:48:16.260 align:center
Sometimes they're driving with
their mouth or their cheek.

00:48:16.260 --> 00:48:19.920 align:center
Sometimes they're driving
with their arm, you know?

00:48:19.920 --> 00:48:22.500 align:center
And so just really
kind of exploring

00:48:22.500 --> 00:48:25.800 align:center
all of the possibilities there.

00:48:25.800 --> 00:48:30.270 align:center
One other kind of big
initiative that I'll just

00:48:30.270 --> 00:48:35.850 align:center
mention with CREATE, as
well, is there is a big focus

00:48:35.850 --> 00:48:38.400 align:center
right now on the intersection
of race, technology,

00:48:38.400 --> 00:48:39.970 align:center
and disability.

00:48:39.970 --> 00:48:43.110 align:center
And so there's been a lot
of funding opportunities

00:48:43.110 --> 00:48:46.680 align:center
that have come through
for work in that space.

00:48:46.680 --> 00:48:50.340 align:center
And that's been-- that's also
been a big focus of CREATE,

00:48:50.340 --> 00:48:52.242 align:center
as well.

00:48:52.242 --> 00:48:54.450 align:center
And thanks, Brianna, for
putting the website in there

00:48:54.450 --> 00:48:55.230 align:center
while I was chatting.

00:48:55.230 --> 00:48:56.055 align:center
I appreciate that.

00:48:58.340 --> 00:48:59.090 align:center
KAYLA BROWN: Yeah.

00:48:59.090 --> 00:49:01.890 align:center
Thank you.

00:49:01.890 --> 00:49:05.790 align:center
I don't see any other questions,
and I do want to wrap up.

00:49:05.790 --> 00:49:08.970 align:center
But do any of the panelists
have anything else

00:49:08.970 --> 00:49:13.950 align:center
you'd want to add as a
takeaway for the audience,

00:49:13.950 --> 00:49:16.110 align:center
if anyone has any
final thoughts?

00:49:26.860 --> 00:49:27.720 align:center
No problem.

00:49:27.720 --> 00:49:28.260 align:center
All right.

00:49:28.260 --> 00:49:31.920 align:center
Well, thank you so much,
panelists, for being here

00:49:31.920 --> 00:49:34.170 align:center
and taking the time
out of your day

00:49:34.170 --> 00:49:36.780 align:center
to speak with us
about what you do

00:49:36.780 --> 00:49:39.600 align:center
and a little bit about
what your passions are.

00:49:39.600 --> 00:49:41.250 align:center
This has been fantastic.

00:49:41.250 --> 00:49:43.780 align:center
And thank you all for attending.

00:49:43.780 --> 00:49:46.900 align:center
And if you have any
questions for panelists,

00:49:46.900 --> 00:49:49.200 align:center
feel free to message
me, email me--

00:49:49.200 --> 00:49:51.120 align:center
I'll put my email in the chat--

00:49:51.120 --> 00:49:53.590 align:center
and I will forward
it on to them.

00:49:53.590 --> 00:49:54.930 align:center
So thank you, everyone.

00:49:54.930 --> 00:49:58.160 align:center
And I hope you have a
great rest of your day.